The original new-wave (maybe also no-wave?) film, with its blaze of low-budget images, mixes cheesy science fiction, grimy bohemian drug tragedy, psychedelic experimentalism, and no-budget arthouse drama
The first feature by Susan Seidelman (Desperately Seeking Susan, et al.) plays like a time capsule of downtown NYC in the moment after punk broke and people were still picking up the pieces. Feisty but talentless Wren (Susan Berman) uses...
It’s a rare and wonderful thing when you see a film by a first-time director, made by people with no money and no moviemaking experience—and yet the passion they feel for what they do makes those limitations meaningless. The movie...
Among the books I picked up during a one-dollar spree at The Strand a while back is a nifty little volume entitled Off-Hollywood: The Making and Marketing of Independent Films. The emphasis is as much on the marketing as it...
I think, therefore I scam. I think back to when someone was buttonholing Miles Davis about what Bitches Brew was supposed to be (jazz? rock? experimental?) and he replied, simply, “Music.” Chameleon Street is a movie. It isn’t merely a...
I’ve long believed that if you grabbed someone at random off the street, gave him $10,000 and told him to make a film, odds are he’d come up with something that’s at least as good (or interesting, or funny) as...
The Brother from Another Planet had me just from its pedigree alone: it’s a modest independent film that does more with what little it has than projects with a thousand times the budget. It was the fourth film by...